Part 3- the fate of the Economy; more on Brendan Gallagher and his writing; the quick story of the rise and fall of Tribe nunzio, a little on Joe Cabral before The Iguanas; how The Mermaid Lounge started (Nov.1994); meeting 3 or 4 people that can make 10 or 12 bands; the sorts of forces that can create a Mermaid Lounge and why that model isn't around anymore; the Mermaid Lounge calendar- "low brow and high end"; how the Mermaid recording studio came about; Clint's ingenuity; about the ending of the Mermaid and the end of a number of clubs with a certain booking ethic; more on Pat Cronin.
Part 2- Is the other planets avehicle for political views?; development into more of an emphasis on lyrics and vocals; more "pop" forms enter the picture; defining what had gone on previously; why the attempts at boundary pushing?; what is this idiom?; process of working on the vocals; content understanding within the band; more on whether the audience comprehend the material; nightmarish mis-adventures in accounting; upcoming recording possibilities; the solo shows; current directions in Cuccia's songwriting; literary interests; what is driving the change toward the positive and the spiritual; gullain-barre syndrome; music as therapeutic recovery system; sonic features of positive music; what Cuccia learned from James "Jimbo" Walsh; different ways that band members internalize the musical ideas; Rex Gregory, Tim McPhatter; the wind cries mary; planned people to collaborate with; what was learned from The Iguanas