Listening to Woody Guthrie and Leadbelly; earliest music appreciations; the way ideas move through the 40s; song rejection; mcmurray talks of songs with the 40s; mother-in-law; how the music makes people react; Ebola? (too soon?); lifestyle descriptions in the songs; Morning 40 style; Funkadelic; the olfactory sense; discovering Nirvana and liberation by record store; Josh and binaural beats; Scully’s other material outside the 40s; whether the band broke up because of problems between Scully and Josh; how members have come in and out of the band; financing of recordings; how the music has changed over the years; songs about age; prog rock math rock vs. minimal type etceteras; josh expresses himself.
how the 40s met; starting to write songs; experience of New Orleans; relationship between origins and musical content; Irving Berlin; the Rough 7 and backup singers; The beginning of the Morning 40 Federation; the first 40s tour and delusions of grandeur; the Attack Family; the concept behind the 40s; what was appealing to Scully about the band; I Aint Really Alright; subconscious access to material; dangers of becoming formulaic; Scully’s function; traditional music as a binding factor
Part 4- Uses of composition training in Tim's everyday work; Tim's harmonic language; how he appropriates work from scores; getting in to Amanda Shaw's band; fitting into Bourbon St. schedule and Neslort schedule; fitting well with the idiosyncracies of Rick Trolsen's music; "I have my own ideas about rhythm!"; "I never count in my brain higher than 3!"; Das Rhinegold; things that are coming up-Dirty Mouth, Trio; arguing on stage; Alex Mcmurray in a mini cooper; interviewer-->interviewee switcheroo; looking for financial independence to continue working on music development
Part 4- How The Geraniums formed; getting others to record their songs; meeting and working with Glen Styler; Alex Mcmurray in The Geraniums; what Jeff is currently up to- writing, upcoming records he's producing, the family album; the changes that Jeff sees in New Orleans since he showed up in the 70's; what happened to older people going to shows too?; succumbing to convention; changes in the art world.
Alex remembers what he can about previous years of the Chazfestival; bending self-imposed rules, the non-musical elements of the festival and those pressures, funniest chazfest story.
Alex talks about Chazfestival in contrast to the New Orleans Jazz and heritage Festival, the strains of putting on a festival, general attitudes toward organizing, and the future of the Chazfestival.
Interview clips of Alex Mcmurray just prior to the Chazfestival (2009).
4 part interview.
- Here Alex talks about the origins of chazfest, the tin men and their involvement, musical experience, and the ideas behind Chazfestival.