Roundup of last weekend

Sitting in airport to Hamburg for a two week stint in Germany with the klezmer all-stars duo.  That is Glenn Hartman and I- accordion and guitar.

Still frozen in my mind was the wondrous musical night at Chickie Wah Wah on Saturday night with the James Singleton Quartet.  (Johnny Vidacovich-dr; Rex Gregory-sax, b.cl, sax; James Singleton- bass; Jonathan Freilich-gtr).  I had the feeling it went better than the previous Chickie Wa Wa show, which is really something because of how interesting that show was.

Also memorable were a couple of hits with the Washboard Chaz blues trio.  I got to revisit on the outside, a lot of the music that drives me on the inside.  And it was fun too- if not very physical- "I've got blisters on me fingers"

Before all that, in the daytime, i got to play a Tom Paines set up at the old Ironworks.  Mcmurray in good form after just having his first kid show up in the world.  Congratulations to him!

The whole trip to New Orleans was such a pleasure. Getting to visit and play with the musicians I know.  Cavort around town with all my old friends.  Back soon, of course- it's jazzfest. the Klezmer All- Stars are on at the top of the first weekend.  See you there.

 

 

Brice Miller Interview Part 3

Brice Miller1.jpg

     After a very long pause I am posting the conclusion to the interview segment of my conversation with Trumpeter/ Bandleader/ Educator, Brice Miller from the Summer of 2013.
     Brice is finishing up a degree, dissertation is complete- so partially I'd like to use this as a congratulatory gesture for his landmark accomplishment.

     (In fact, I also just completed a degree myself so I can get back to these interviews.)

    There are two other, highly recommendable, earlier segments to this interview, of course. 


In Part 3 of this interview Brice touches on the following...

Brass bands in other parts of the United States; the "mythical" Congo Square; the role of formal musical education in the development early jazz artists- Buddy Bolden; brass bands around the world; jazz funerals, 2nd lines, benevolent societies and their roles in solidifying the place of people of color in the city- the taking of it; why brass bands in New Orleans have outlived the traditions in other cities; political needs for brass bands; more on cultural mentorship, cultural capital, social capital; the relation of brass band music to other musics in the city;  Wynton and Branford Marsalis, Nicholas Payton- their start associated with the brass band tradition; being able to speak collectively; Trombone Shorty; the difficulties of talking to music press and their false ideas of what audiences will find interesting; the maligning or ignoring of intellectual sides to musicians in the press; coming out of depression after Katrina; the way that Brice's identity was used and became a caricature after the storm;  going to the University of Alabama; telling the story of real New Orleans music, and the 200 year history of brass bands, honestly; the indignity of the reduction of all narratives of people of color to slavery; the influence of personal understanding of history on personal identity development; final comments- retelling your own stories.

Believe it or not, there is a whole other more conversational and, perhaps more evocative section to this that I will post soon.

Of interest: The Yossarian society

Here is an interesting website.

There is a new society being birthed.  Concerned with a number of things I would think, but right now the site has a good deal of focus on the plague of folks that would distract you from anything of actual importance in New Orleans, by endlessly attempting to suggest that sound ordinances are somehow a mark of great civilization- more than the culture of music!?!?!  

What can be said...Katrina courted throngs of people that have no idea and have fallen prey to some rich maniacs and carpetbaggers who are attempting to gain vast long term control over the profit systems in New Orleans.  But, it's surely the old Louisiana political story:  a new pipeline to fly high volumes of cash into a few local old pockets under the guise of renewal and a few beads for the new masses caught in the excitement.

Anyway, this mysterious

Yossarian Society

sheds more light than this brief rant-ette.

For instance, the Society says this... 


"Yossarian is entry level anarchism.

We like anarchism if it is funny. When it is a challenge, like Emma Goldman, not so much. So let’s try to start with some funny.

Yossarian’s philosophy is a first step. What happens when the Governing Caste slips its anchor? Yossarian pokes it in the eye."

 

     ...Can't be bad...who, after all, didn't get the tragic truths of 'Catch-22'.  If Heller could only see this world!

NEW SITE! Itunes podcast temporarily interrupted

Yes, it's true...a new site for your enjoyment but the same content is available.  Leave comments if there are things that would improve the site.  I will have the itunes feed straightened out soon.

I thought it would be nice to kick off with this fascinating interview with King James.  Check it out... 

A conversation on the current New Orleans music scene with Mark Bingham, Helen Gillet, Michael Dominici, and Jonathan Freilich

A slightly different format audio recording has just gone up on the music interviews page.  It's a four way conversation and I've left it full length for this site.

WWOZ radio DJ, Michael Dominici had the idea to take some of what has been happening in these interviews and take it onto WWOZ during his radio show.  There were time constraints that didn't allow us, with our summer schedules, to do this live so we pre-recorded it on May 28th, 2011. Mark Bingham allowed us to do the interview at Piety St. Studios so we sat down for about an hour and discussed a few things pertaining to recording, time perception, thinking of music for now, anachronistic music, and observations on a few other musicians around the scene including Quintron, Ratty